{"id":1168,"date":"2017-05-01T21:17:42","date_gmt":"2017-05-01T19:17:42","guid":{"rendered":"http:\/\/portale.unime.it\/agon\/?page_id=1168"},"modified":"2024-05-26T15:51:11","modified_gmt":"2024-05-26T13:51:11","slug":"quaderno-8","status":"publish","type":"page","link":"https:\/\/portale.unime.it\/agon\/quaderni\/quaderni-1-10\/quaderno-8\/","title":{"rendered":"Quaderno 08"},"content":{"rendered":"

Supplemento al n. 11 (ottobre-dicembre 2016) di<\/strong><\/h4>\n

\u00abAGON\u00bb<\/em><\/strong><\/h4>\n

Rivista Internazionale di Studi Culturali, Linguistici e Letterari<\/em><\/strong><\/h4>\n

(ISSN 2384-9045)<\/strong><\/h4>\n

Direttore responsabile: Massimo Lagan\u00e0<\/em><\/strong><\/h4>\n

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FIGURATIONS ET ETHOS<\/em> DU CONTEUR <\/strong><\/a><\/span><\/h1>\n

(XIXe<\/sup>-XXIe<\/sup> si\u00e8cle)<\/strong><\/a><\/span><\/h1>\n

\u00a0<\/strong>\u00a0<\/strong><\/span><\/h1>\n

Cahier \u00e9dit\u00e9 par <\/strong>Claire Colin<\/a> et Victoire Feuillebois<\/a><\/strong><\/span><\/p>\n

\u00a0<\/em>\u00a0<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

INDICE<\/strong>\u00a0<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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Figurations et ethos<\/em> du conteur (XIXe<\/sup>-XXIe<\/sup> si\u00e8cle)<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Claire Colin<\/a> et Victoire Feuillebois<\/a><\/strong><\/span><\/h4>\n

Introduction (pp. 4-25)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Que reste-t-il de nos conteurs? <\/strong><\/span><\/p>\n

Contestation de l\u2019ordre contemporain et r\u00e9affirmation du lien social<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Le conte comme art de la relation<\/em><\/strong><\/a><\/span><\/h4>\n

Entretien d\u2019Henri Gougaud<\/a> avec Claire Colin<\/a> (pp. 26-57)<\/em><\/strong><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Luc Bonenfant<\/strong><\/a><\/span><\/h4>\n

Un genre en synecdoques: enjeux \u00e9thiques de l\u2019esth\u00e9tique du conte chez<\/em><\/strong> Charles-Louis Philippe\u00a0et Jean-Aubert Loranger (pp. 58-85)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

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Myriame Martineau<\/a> et Julien Hocine<\/a><\/strong><\/span><\/h4>\n

Les conteuses et conteurs contemporains au Qu\u00e9bec: une profession en qu\u00ea<\/em><\/strong>te d\u2019identit\u00e9 et un sens de la parole publique \u00e0 retrouver (pp. 86-116)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

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Incarnations et repr\u00e9sentations de l\u2019oralit\u00e9 conteuse<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n

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H\u00e9l\u00e8ne Martinelli <\/strong><\/a><\/span><\/h4>\n

D\u2019arabesques en palabres. Figure et parlure du conteur tch\u00e8que de Jan Neruda \u00e0 Bohumil Hrabal (pp. 117-143)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Yvon Houssais<\/strong><\/a><\/span><\/h4>\n

La nouvelle encadr\u00e9e au vingti\u00e8me si\u00e8cle: un nouvel art de raconter (pp. 144-170)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Leandro de Oliveira Neris<\/strong><\/a><\/span><\/h4>\n

Bri\u00e8vet\u00e9 et image de soi\u00a0dans les<\/em><\/strong> Contes du pays incertain de Jacques Ferron (pp. 171-199)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Du conteur \u00e0 l\u2019auteur? Jeux d\u2019ombres et de masques<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Nicolas Aude<\/strong><\/a><\/span><\/h4>\n

\u00ab<\/strong>P\u00e8re Silas is no Romancist\u00bb. <\/strong>La confession, le conte et le m\u00e9tar\u00e9cit dans<\/em><\/strong> Villette de C. Bront\u00eb (pp. 200-229)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Frank Wagner <\/strong><\/a><\/span><\/h4>\n

Au bout du conte: structures et imaginaires du conte, figures du conteur dans le roman contemporain (pp. 230-270)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Ga\u00eblle Debeaux<\/strong><\/a><\/span><\/h4>\n

De la voix au texte, du r\u00e9cit au roman ench\u00e2<\/em><\/strong>ss\u00e9: la question de la pr\u00e9sence au tournant du XXIe<\/sup> si\u00e8cle (pp. 271-312)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Identit\u00e9, histoire, m\u00e9moire: le conteur \u00e0 l\u2019\u0153uvre<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

C\u00e9cile Brochard <\/strong><\/a><\/span><\/h4>\n

\u00c9<\/em><\/strong>thique et esth\u00e9tique du<\/em><\/strong> Storytelling<\/strong> dans la litt\u00e9rature autochtone contemporaine:<\/em><\/strong> Storyteller (1981) de<\/em> Leslie Marmon Silko (pp. 313-339)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

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H\u00e9l\u00e8ne Barthelmebs-Raguin<\/strong><\/a><\/span><\/h4>\n

Ethos et voix narratives. Engagement et histoire des femmes alg\u00e9riennes dans les \u00e9crits et les films d\u2019Assia Djebar (pp. 340-371)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Buata B. Malela<\/a> et Cynthia Volanosy Parfait <\/a><\/strong><\/span><\/h4>\n

Ethos de la conteuse dans le discours litt\u00e9raire de Mich\u00e8le Rakotoson et Scholastique Mukasonga (pp. 372-407)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Tumba Shango Lokoho<\/strong><\/a><\/span><\/h4>\n

Figurations et <\/em><\/strong>ethos du conteur dans la litt\u00e9rature africaine francophone contemporaine (pp. 408-431)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Nouveaux m\u00e9dias, nouveaux conteurs<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n

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Nikol Dziub<\/strong><\/a><\/span><\/h4>\n

Quand l\u2019auteur se fait conteur: la le\u00e7on des voyages romantiques (pp. 432-454)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Marion Brun<\/strong><\/a><\/span><\/h4>\n

Marcel Pagnol, un conteur m\u00e9ridional nostalgique au cin\u00e9ma, \u00e0 la radio et sur disque (pp. 455-481)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

R\u00e9mi Bernard<\/strong><\/a><\/span><\/h4>\n

Conteurs de bulles et de cases dans <\/em><\/strong>Sandman (pp. 482-509)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

\n

Coralie David<\/strong><\/a><\/span><\/h4>\n

Le jeu de r\u00f4<\/em><\/strong>le sur table, une forme intercr\u00e9ative de conte r\u00e9invent\u00e9 par le ludique? (pp. 510-540)<\/em><\/strong><\/a><\/span><\/h4>\n<\/td>\n<\/tr>\n

Les Auteurs (pp. 541-544)<\/em><\/strong><\/a><\/span><\/td>\n<\/tr>\n
\u00abAGON\u00bb (pp. 545-548)<\/em><\/strong><\/a><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Supplemento al n. 11 (ottobre-dicembre 2016) di \u00abAGON\u00bb Rivista Internazionale di Studi Culturali, Linguistici e Letterari (ISSN 2384-9045) Direttore responsabile: Massimo Lagan\u00e0   FIGURATIONS ET ETHOS DU CONTEUR (XIXe-XXIe si\u00e8cle) \u00a0\u00a0 Cahier \u00e9dit\u00e9 par Claire Colin et Victoire Feuillebois \u00a0\u00a0 … Continua a leggere→<\/span><\/a><\/p>\n","protected":false},"author":13,"featured_media":0,"parent":2801,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/portale.unime.it\/agon\/wp-json\/wp\/v2\/pages\/1168"}],"collection":[{"href":"https:\/\/portale.unime.it\/agon\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/portale.unime.it\/agon\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/portale.unime.it\/agon\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/portale.unime.it\/agon\/wp-json\/wp\/v2\/comments?post=1168"}],"version-history":[{"count":22,"href":"https:\/\/portale.unime.it\/agon\/wp-json\/wp\/v2\/pages\/1168\/revisions"}],"predecessor-version":[{"id":3354,"href":"https:\/\/portale.unime.it\/agon\/wp-json\/wp\/v2\/pages\/1168\/revisions\/3354"}],"up":[{"embeddable":true,"href":"https:\/\/portale.unime.it\/agon\/wp-json\/wp\/v2\/pages\/2801"}],"wp:attachment":[{"href":"https:\/\/portale.unime.it\/agon\/wp-json\/wp\/v2\/media?parent=1168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}